Author: Mary Hamilton
#jcarn: Workflow hacking
For this month’s Carnival of Journalism, we’ve been challenged to write about life hacks, tips, tools and techniques that help us work smarter and more effectively.
It’s been an interesting one, because it’s forced me to quantify the things I do to try and work efficiently. The things I’m sharing here make me sound like some sort of uber robot journalist geek, which I’m not, really, but trying to follow these principles helps me pretend.
Your job is not your admin
- Every job has a tedious admin phase you have to deal with every day. But that’s not your real job – it takes time away from doing what you need to do.
- The most basic ways you can be more awesome involve cutting down on admin time and increasing the time you spend actually working.
- I keep track of what I do to work out which tasks take up time without contributing anything meaningful. I’ve used Rescue Time, Remember The Milk, Epic Win and custom Google Docs to track this in the past.
- Once I’ve worked out where there’s time to be saved, I start working out how to save it. This is useful admin time.
- It’s always worth learning keyboard shortcuts for any program I use daily. It saves small chunks of time over and over again.
- I use a To Do list for big stuff that needs it rather than day-to-day routine things – I’m using Remember The Milk at the moment, but I tend to rotate list apps every few months because otherwise the novelty wears off and I stop using them. I’ve used 2Do, Google Tasks, Outlook Tasks, Doomi, enormous spreadsheets and Epic Win in the past.
Repeated tasks can be automated
- It’s worth a day of my effort to automate something that takes me more than about 20 minutes a day to do. If it’s an interruption or a flow-breaking task or something I will have to do every day for a year, it’s probably worth more.
- I think of certain tasks – finding sources on Twitter, for instance, or researching a topic for a story – as building a re-usable resource, not a one-off event. It takes much less effort to build a Twitter list or filter and aggregate a few RSS feeds the first time around, so you can go straight back to your sources if you’re doing a follow-up.
- I use a lot of dashboards. The new Google Analytics beta lets me customise and keep half a dozen ways of slicing web data at my fingertips, so I can answer common business questions in seconds not hours. iGoogle combined with custom alerts by RSS lets me filter the entire web for certain subjects. Hootsuite and Tweetdeck let me monitor social networks in similar ways.
- I use macros to automate tasks in Excel and Word. I use Google Docs with various APIs to build a few regular reports, occasionally combined with ScraperWiki. I build a lot of very specific spreadsheets where I can plug in data in a certain format and get back insights very quickly. I try to build things that can be re-used or re-purposed.
- If there’s a boring repetitive task, there’s almost certainly a plugin or a script somewhere on the internet that’ll help you make it faster or easier. Sometimes those are more work to rewrite/implement than it would be just to get on with it. Other times they’re lifesaving.
- Greasemonkey can be astonishingly helpful in saving little annoyances (and big ones, sometimes). For instance, I love this script that automatically pushes the “access analytics” button in Google Analytics. It saves one click – but it saves it three or four times every single day.
- After all that – I do very little coding. I mostly borrow other people’s code and put it to use in new situations.
All information can be filtered
- Twitter lists, search operators and even individual users if they’re focussed on a specific topic of interest. The -RT search operator is fantastic. Topsy‘s advanced search is also amazing powerful. And it has an API, which I haven’t yet worked out how to use to best advantage.
- RSS folders in Google Reader (or a similar reader service) and combinations and filters using Yahoo Pipes. Postrank is an awesome service that helps you filter popular and engaging content from feeds. Combining Postrank with Pipes gives you neat automatic filters.
- Google alerts, especially using advanced search terms – you can use site:youtube.com with keywords to build a video alert service, for instance.
- Google custom search – great for checking whether anyone’s covered a particular story, or for working out who on your beat is talking about a certain subject – just give it a list of links.
Interruptions can be limited
- I use rules in Outlook to limit the number of times I see email alerts – I have several set up to filter out various levels of noise, including a white-list for emails most likely to need urgent responses. It was well worth the time spent setting these up – if every pop-up on-screen is only 5 seconds of attention, I’ve still saved more than 5 minutes a day.
- I use rules in Gmail to sort incoming mail by priority, and use the email game to deal with it all in small bursts, quickly and efficiently, when it’s convenient rather than when a mail comes in.
- I turn off email notifications for sites I visit every day anyway. I set up as much as possible to come via RSS (where I can filter it using Yahoo Pipes and categorise it in a sensible folder) or via Twitter (where its immediate impact is limited to 140 characters).
- When I need to focus, I stay away from Tweetdeck completely. I have a 2-column view in Hootsuite with nothing but mentions and direct messages, so I can see anything requiring urgent responses at a glance. I turn my iPhone off.
Waiting kills productivity
- If a task I do regularly is governed by a set of rules and involves waiting for something to happen, I do my best to automate it away. I win twice.
- If I’ve got to do something that involves waiting, I plan for the wait: go take a break, stretch, do a simple time-limited task.
- I have a folder of RSS feeds from folks who write short, and I read a couple while Iwait. And I have Reeder on my iPhone, for long out-of-the-office waits (some people call them “commutes”).
- I save up several stop-start tasks and use them as a “distraction loop” – taking each one in turn and switching when a wait starts.
What do you do to hack your workflow? What tools do you use to simplify the stuff that doesn’t matter and help you spend more time on the stuff that does?
#bbcsms: what I learned about ego, opinion, art and commerce
Yesterday was the BBC Social Media Summit, an event named with tongue firmly in cheek. Other folks than me have already written some excellent round-ups of the sessions – I’d recommend @adders’ series of live blogs and @currybet’s thoughts in particular, as well as the BBC College of Journalism‘s ongoing series of posts about the event.
What was said at the event was interesting, and though in some cases it felt a little like going over old ground for me personally, it was good to see the big steps being made by big organisations like the BBC and New York Times. What I found fascinating was the way some old and new conflicts weren’t exactly debated in the panel sessions but were played out over the course of the two-day event.
The fight for the mainstream
Mainstream was a word used a great deal yesterday and the day before. Organiser Claire Wardle justified (see comments) the decision to make the first day invitation-only by explaining that only members of the mainstream media were invited, and the sessions yesterday almost all included the word “mainstream” somewhere in the title.
But “mainstream” isn’t a clearly defined term. It’s slippery. “Mainstream media” is hurled at news outlets by some bloggers as a perjorative term; it’s often linked to circulation and ownership rather than content; it’s defined without a clear opposition. And the BBC Social Media Summit had its own definition, which became clearer as the day progressed:
- National or international (not local or hyperlocal)
- General news (not specialist or single-subject)
- Primarily print or broadcast (not web-only)
- Broadsheet (not tabloid or sensationalist)
- Corporate (not individual)
That’s fine, of course, though perhaps a more honest hashtag would be #bbcmsmsms. But it’s also telling: those who were invited to participate, and thus set the agenda and drive change, were not social media people from the Sun, or from Archant’s local divisions, or from the Financial Times. Of course it’s easier for organisations working with likeminded people to reach a consensus, but in doing so we miss the chance to learn from people outside the echo chamber.
And in the process we reinforce some very dull divisions between journalists and organisations, as @adders pointed out beforehand – we go back to Chomsky’s definition of the elite media, which is in the process of being exploded by the internet. It’s a peculiarly protectionist, defensive position, for an event so focussed on breaking down barriers and creating real change.
The fight for territory
Alongside the semantic land-grab of the mainstream, we had territorial conflicts, on the stage, in the audience and in the wider Tweeting world outside the event itself. Journalism is a small field, these days – small and intricately interconnected – and various figures vie for ownership of concepts and spaces within the field.
Most noticeably to those following the hashtag on day 1, Jeff Jarvis took on the BBC over the lack of openness inherent in holding an invitation-only event under the Chatham House rule. Regardless of which “side” you took – or whether you believe, like I do, that both have merits – the conversation became in part about Jarvis and his opinions. Just as day 2 became in part about Andy Carvin’s hostility towards people debating and critiquing his methods, rather than the methods themselves. Fame – both individual and institutional – makes people confuse the practitioner with the field in which they operate.
Esra Dogramaci of Al Jazeera faced some very hostile questioning on the topic of training people to use citizen journalism tools. Will Perrin of Talk About Local did not. Of course there are hundreds of reasons why the responses were different – not least the potential harm that people in Arabic dictatorships can come to as a result of doing journalism – but one of them is territory. Al Jazeera is invading the “mainstream”. Talk About Local is invading the regional space. If there had been many Archant, Johnson or Trinity Mirror folks there, I think Will would have faced some tricky interrogation too.
@ukcameraman challenged the panel by recording and uploading a live streamed video of part of the panel, and asking whether it scared the BBC. The TV companies no longer own the broadcast space, not even in their own conference centres. They can’t always be first.
The fight to be first
We can’t let it go. Journalists can’t let go of the need to scoop each other, the desperate belief that first is better. The stage, and the day, seemed bounded by people prickling over other people’s claims to innovation and to be first.
On stage, Mark Rock of Audioboo suggested that competition should take a back seat to collaboration, and implied that being first was not as important as being accurate. That’s right, of course, as we should know from (if nothing else) watching major news organisations tweet the news of Hosni Mubarak’s resignation repeatedly when it hadn’t happened.
But there’s still significant opposition to this notion from both individual journalists and news organisations. We fear being scooped. Outside the financial trade press, where being first by a few seconds can move markets, the business model of being first is largely an illusion. In fact, the business model is in being the most widely read, and being first is no longer a guarantee that you will gather the most eyeballs for your effort.
The fight to be first stifles innovation, because it erases partner contributions. Traditional media have always done this with stories. Now we are seeing it with innovations, too – even with innovative ways of using familiar tools. The NYT can commit to their experiment of turning off the auto-feed on their Twitter account; this isn’t new, and it’s in part because other news organisations have succeeded that the NYT can experiment without too much fear of failure.
At the end of the day, Alan Rusbridger claimed that the Guardian invented live-blogging. That stakes a claim, draws a line around an innovation that is simply a new way of using a tool, that has existed for nearly as long as the tool has existed. And suddenly, we are fighting over the origin of the thing, rather than celebrating its existence and finding new ways to use it. Suddenly it’s all about the process, about who scooped who, not about the meaning of the events themselves.
Round and round we go.
The fight for the future
Traditional media organisations are beginning to move, but it is clear that the individuals are light years ahead of the newsrooms, and many newsrooms are moving defensively – chasing the audience, not moving to intercept them. Mark Rock summed it up when he said it was ludicrous that BBC correspondents use Audioboo (there is no better tool for what they need to do) but they can’t embed it on the website.
The industry holds up rare examples of experimentation from the “mainstream” media as paragon instances of innovation, and we fail to notice how rare, how unusual and how tentative these instances are. In the mean time, we are being beaten by people and organisations who take a little from journalism and a lot from other places.
We need more Venn diagrams. We need people who take elements not just from journalism but also from other areas: user experience design, anthropology, web culture, psychology, history, games, literature, art, statistics. We need to interrogate journalism with tools outside the journalistic sphere; we need not just to borrow from other disciplines but exchange with them.
Traditional media organisations are not very good at linking out. They need to get good. Fast.
Playing Gamecamp
Yesterday was Gamecamp 4, the first one I’ve been to, and I had a properly fantastic time. Some excellent sessions, some fascinating conversations, and some surprisingly forgiving zombies made it a great day.
Here’s what I took from the day.
- We like stories in our games, and we like games in our stories, but not all games (or stories) need both.
- Boss fights interrupt flow, but can be used to build interesting characters. They can be frustrating (Metal Gear Solid), but when they’re done well and foreshadowed properly, they can also be hugely satisfying (Limbo).
- Free play without structure isn’t a game.
- Digital games suck at relationships.
- A lot of digital games writing sucks, full stop.
- Romance and sex in games are two very different things with different problems to be solved.
- Some problems being tackled by digital game folks have already been solved by live game folks, and vice versa.
- When under attack, people seem to instinctively try to get to high ground. When high ground is not available, they use tables.
- Lemon jousting is harder than it looks.
- Mechanically, World of Warcraft and Farmville are (depressingly?) similar.
- We like our extrinsic motivators without coercive social marketing practices.
- Gamification isn’t particularly interesting to people who already make games.
- My working definition of emergent stories – stories created by players interacting with game mechanics without a designer getting in the way – is flawed, hugely flawed, but works OK for demonstration purposes.
- Emergent stories need space to emerge. People make up stories to fill gaps.
- Story can be constructed after experience, collaboratively.
- Someone has already run an art heist game in a museum. I really hope they do it again. Soon.
- Museums, like news organisations, need help making good games with few resources.
- The Keyworth building at London South Bank Uni would be an excellent venue for a full-scale game of Zombie.
- The unconference format just works. No bit of my day was boring or slow or non-interactive. I went to half a dozen really interesting talks, and missed about a dozen more, and that’s fine.
- Always put zombies in the lifts.
How do you make local news on Twitter engaging?
Like this:
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This is @eveningnews, and it’s not your average local news feed. Delivering a wry, funny take on the day’s news in Norwich, it’s not scared to poke fun at the newspaper – and the results are a far cry from the sterile RSS-based robots that many news brands use on Twitter.
@eveningnews has, at last count, nearly 3,700 followers – not bad for a local newspaper with a print circulation of 18,923 – and it’s talkative. It doesn’t follow many folks back but it does engage with the followers it has, talking back, retweeting and chatting about what’s going on.
The voice behind the tweeting is Stacia Briggs, current UK Columnist of the Year and feature writer for the Evening News, who also tweets as @womaninblack. She says that far from seeing Twitter as something difficult, it’s child’s play by comparison to traditional writing: “Give me 140 characters in comparison to 1,500 words any day.”
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The feed was originally started by a colleague but quickly taken over by Stacia, and these days it’s very rare that anyone else uses it. Stacia admits being “extremely territorial”, and says that when the account was started she “was one of the only people on my newspaper who had some experience of Twitter – it’s not much of a basis for my unstinting belief that I could do the best job with the account, but it was a start”.
Like many folks looking at local news feeds, Stacia says she struggled to find something engaging out there – a feed that actually made people want to click on links, rather than simply treating the medium as a one-way publishing stream. So she set out to create something different.
“I consider the account to be fairly informal, hopefully amusing and friendly – sometimes a bit edgy and slightly naughty,” she says. “I don’t want bland RSS feeds or po-faced updates that command me to read a story. What I wanted to do is make the feed like a conversation: I’ll tweet a link, and then I’ll sometimes make an observation. Sometimes, the observations are quite oblique – I like oblique observations.”
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“One of the things I feel most strongly about is maintaining a voice, one which people recognise and can relate to,” Stacia says.
“Clearly, there are stories which are serious and which must be treated as such. I don’t post a story about an inquest and then make a joke – if I did, I’d imagine it would be my career that required an inquest after a very sudden death.”
But between the straight tweets that link the reader to important stories and keep people up to date, @eveningnews is genuinely funny and wonderfully compelling. It’s a fantastic mix that makes readers feel they have a genuine relationship and a line into the paper – as is shown by the number of stories that come straight to Stacia via @eveningnews – and it has a nice side line in gently mocking the newspaper’s occasional online mishaps in a way that brings readers into an inside joke.
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Looking at @edp24, a feed run out of the same office by the same team, the difference is clear – the Eastern Daily Press feed is entirely automated, even automatically passing on reporters’ tweets. The Eastern Daily Press has more than three times the circulation of the Evening News in print, and the circulation area is much wider – but it has just a few more followers than @eveningnews.
And despite regular attempts at engagement from the people who follow it, it simply doesn’t talk back. In this, it’s like most other news brands, both local and national – but it’s clear from what @eveningnews has achieved that much more is possible when someone committed and talented takes ownership and makes the news their own.
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Readers tell @eveningnews their stories freely, they pass on ideas, they offer case studies and point out errors – but the open dialogue has drawbacks. Stacia doesn’t stop when she goes on holiday or is unwell – keeping @eveningnews going is a constant task that transcends normal work hours and boundaries. But it’s worth it, she says.
“There’s a mine of untapped data and information on Twitter which hugely benefits newspapers – and I’m trying to access it. I’ve got some great, breaking stories from Twitter, and within minutes we’ve had them on our websites.
“A huge city centre fire was first reported on Twitter and we then followed it with live tweeting, pictures from our photographers and Twitter followers and regularly updated reports. It directed people to our website and was a great example of how Twitter can break the news and we can expand on it.
“I’ve been given feature ideas, news stories, pictures, video, song clips – it’s been like a news sweet shop.”
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And the best advice for people tweeting as news brands?
“Don’t churn out corporate slurry. Talk like a human being. Engage with people. Reply to people who talk to you. Look for the unusual in a story and highlight it. Encourage your reporters to find lots of stories about UFOs, big cats, sharks or local eccentrics – they’re Twitter gold.”
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Full disclosure: I worked for the Evening News from 2008 to 2010, and I am a total Stacia fangirl. Stacia’s job at the Evening News is currently at risk due to Archant Norfolk’s editorial review.
Rewiring the state
Last year I reported on Young Rewired State, when a group of committed and amazingly talented youngsters descended on Neontribe‘s offices for three days of making stuff. (The report’s not online because at the time the EDP’s CMS automatically took everything offline after two months; no, I still don’t know why they thought that was a good idea.) I remember being stunned by the results and by the people involved – the energy, the excitement, and the apps they made.
On Saturday, I went up to Neontribe’s new offices in Norwich along with 14 others to be part of the first regional Rewired State hack day – but as a developer, not a hack. (For the record: I’m no dev, I just mash things together and swear at them till they more-or-less work in a cargo-cult sort of way.) I got to work with three brilliant young people – Callum, Isabell (@issyIO) and Ben. They were all way ahead of me – I can’t wait to see what they make in the future.
The aim of the day was to use local government data to make apps. We started out with a computer each, a list of data sources, a whiteboard full of ideas and a lot of very tasty food (seriously, the catering was amazing). Oh, and 8 hours to go before we presented our work to a room full of local dignitaries. So no pressure.
The team I was working with decided to create Kebab Hunter, an app that mashed together reviews of local takeaway joints with hygiene data from Norwich City Council, then plotted them on an augmented reality Layar that could be viewed on your smartphone. The result was an app you could use to quickly find a nearby takeout that not only serves tasty food but also won’t make you ill. The bits I did were mostly to do with finding, cleaning and mashing data together (I’m indebted to @psychemedia for this timely post). Most of the time (well, when not eating the delicious cake, anyway) I had my head down, so it wasn’t really until the very end that I got to see what other people had been working on.
For me, with my very limited hodge-podge set of skills, the day was exhilarating. The time limit gave it a focus and a sense of urgency, and working alongside such a talented group of people was a pleasure and a privilege – and a very fast and efficient way of learning. I felt like my brain had gone through a wringer at the end of it, but in a very good way. And we had some awesome things to show for the effort.
Here’s what we made (I’ll add links to this list if I can find them, and if there are any mistakes let me know – I didn’t catch everyone’s name):
- Where does Norfolk’s money go? A map of Norfolk council spending – Sym Roe
- Bin Posse. Reminders of what goes out when by SMS – Rupert Redington
- AV findings. Where voted “Yes”, and what were they like? (Apparently Yes to AV is strongly correlated with museum visits) – Chris Heath and Katja Mordaunt
- Bridge Headroom. How much space is there under Potter Heigham bridge? – Michael Holness
- Words about Norfolk. What words does Wikipedia link to Norfolk? – Rob Young
- Festival timeline. The Norfolk and Norwich Festival lineup, displayed to investigate – Harry Harrold
- Hey Chief! A humourous look at the value for money of Norfolk Fire Service. (Norwich has a lot of cat-related incidents, we learned) – Peter Chamberlin, Heydon Pickering, Michael Holness
- Kebab Hunter. Augments a phone camera’s eye view of Norwich, with takeaway food safety info and reviews – Callum Weaver, Mary Hamilton, Ben Holloway and Isabell Long.
At the end of the day we presented our creations to local politicians, council staff and each other in the Octagon Chapel, a beautiful and oddly stately venue for such a high-tech day. I hope the folks who saw what we made see what’s possible when you get interested, creative people with l33t skills in a room with their data.
Afterwards, people were talking about the power of open data – its scariness, the fact that transparency can’t be done half-heartedly, the fact it can’t be controlled, but also the freedom to experiment and the excitement of possibility. And the need for devs, designers, interpreters and even journalists to bridge the gap between spreadsheets and stories, between data and people. Those were good conversations, and I hope a lot more comes out of this event.
Very, very good day.
Edited to add: @harryharrold has collected the whole day as it happened. Includes geese.
Failing on your feet
This post is part of the Carnival of Journalism, and the topic for this month is failure.
If I hadn’t failed repeatedly, I wouldn’t be a journalist. This is all a bizarre accident.
See, I never wanted to be a journalist. (Blasphemy!) I remember deciding when I was about 9 that if I did become a journalist I would write for the Guardian or the Independent but definitely not the Daily Mail because it was rubbish, but all that was obviously only a back-up plan. I was going to be a Writer.
So I grew up a bit, wrote a lot, won at school, won at being homeless and failed at being sane, and eventually dealt with that enough to pack up and get to university for a literature and creative writing degree. I did my best to become a Writer by arranging words in attractive orders as much as humanly possible. I held down a part-time job designing books, copy editing, typesetting and occasionally redesigning the perspex plates on the front of all the postboxes in the UK, which at the very least meant that millions of people read my work every day.
And then came graduation, and the growing realisation that I had literally no idea how to be a Writer and still afford to eat. I applied to two post-grad courses, one in creative writing and one in literature, and failed at both. I went for editorial jobs at Oxford University Press and Taylor Francis and loads of smaller places, and failed – in fact I failed at more than 50 job applications in three months, that summer.
Around this time I split up with my long-term partner, and moved out of the house we shared, and while sleeping on other people’s sofas I spotted a job ad for Trainee Journalists for the Eastern Daily Press in Norwich where I was living and I thought, well, at this point, the part time job won’t pay the rent, let’s apply.
When I did the application test – an exam in a room with 100 other people – I was still on sofas and hadn’t seen the news in the best part of a week. That made writing a 200-word news story on a current news issue pretty difficult. Luckily, I blag well, and if nothing else the years of wanting to be a Writer meant I could write well. So I got the call back, and was sure I’d failed the interview (I wasn’t sure what a red top was), and then a few days before Christmas came the job offer. Paul Durrant – he of the most excellent moustache and Brummie accent – phoned me and said: “Got some good news for you: you’re going to be a journalist.”
Man. What a failure.
So that’s me. I failed at Writing and won at writing. I failed so hard I failed myself right into a career that’s perfect for me, right into work I love and an environment I thrive in. I failed so badly that I wake up every day excited about what I do; I failed so hard that if you didn’t look at what really happened you’d probably call it deliberate success.
Since then, of course, it’s been slog and hard graft and an awful lot of trying incredibly hard all the time. It’s been monstrously long days and never turning my phone off and learning stuff in my spare time and making things happen. It’s been – it is – hard, and joyous. And I’ve never regretted the failures that led me here.
That’s my lesson. Sometimes failure is better than success. Sometimes you get better opportunities through failing than you do through succeeding. Sometimes the only way to win is to fall.
Birthers, death and conspiracy
As news of Osama bin Laden’s death circulates and the circumstances become more widely known, we can expect a myriad new conspiracy theories to spring up in its wake. But why? What is it that makes people tell themselves stories of secrecy, cover-up, hidden controlling powers and forbidden knowledge? And what is it that makes those stories resonate across American culture in particular?
Peter Knight, in his book Conspiracy Theories in American History, calls conspiracy theories “part of the lingua franca of everyday American life and entertainment”. He traces their history as far back as the first settlers on the continent, and argues that the country’s diversity combined with American exceptionalism to form a particularly fertile ground for certain types of conspiracy theory.
Popular conspiracies, like best-selling novels, solve problems; cultures talk to themselves, telling themselves soothing tales that may or may not accurately reflect reality. Where off-beat narratives like Roswell or the Illuminati flourish, they do so because they resolve some conflict within society that causes anxiety.
In 1964 Richard Hofstadter wrote a seminal essay diagnosing a paranoid style in American politics. At that time it was easy to characterise conspiratorial viewpoints as being held only by the fringe elements of society; since then conspiracy theories have hit the mainstream again. JFK’s assassination, international banking, the moon landings, alien abductions, 9/11, the birther movement – all these have captured the imaginations of large segments of the American public.
Conspiracies have tended to fall into roughly one of two groups. Some conspiracies involve attacks by outside groups on America – for instance, communists, Jews, Masons, Catholics or, going back before the Civil War, slaves and abolitionists. Others involve attacks or systematic deceptions perpetrated on the American people by its government or by those in positions of power over it – examples include the belief that the moon landings were faked, the various theories that the US government knew about 9/11 before it happened, fluoride in the water, CIA drug experiments, and so on.
If there is one man who combines these two strands of fear almost perfectly, it is Barack Obama. Simultaneously the most powerful government official in the US, he is also perceived as an imposter, an outsider, in large part due to the colour of his skin.
And, for all that the paranoid style seems designed to increase rather than decrease fear and anxiety, its success comes from the fact that it resolves underlying conflicts in a way that renders them understandable to the man on the street, and less threatening. Hofstadter in 1964 ran down a list of reasons why the American right wing felt dispossessed, and had latched on to conspiracy as a way of regaining control; today, the Tea Party and the current cornucopia of conspiracy represent an even stronger expression of a stronger sense of unease and lack of control.
The birther movement is an elegant synthesis of the two prevailing concerns of American conspiracy theories into one hypothesis: if Obama was not born in the US, then his very existence is both an external attack on America and a mass deception perpetrated by those in power on the American people. Obama represents the threat of both in one body; perhaps this is why the theory has proven so attractive to so many people, even to potential presidential candidates like Donald Trump, to the extent that earlier this week Obama produced his long form birth certificate as proof.
(It won’t work, of course. Conspiracy theories interpret inconvenient facts as damage and route around them in much the same way that the internet does.)
And if there was another man who reconciles and combines these threats, it was Osama bin Laden. He was a vanishingly rare example of the conspiracy theory made flesh, a living, breathing individual who was demonstrably guilty of those terrible crimes that conspiracy theorists ascribe to their enemies. To borrow from Hofstadter again:
[He] is a perfect model of malice, a kind of amoral superman—sinister, ubiquitous, powerful, cruel, sensual, luxury-loving. Unlike the rest of us, the enemy is not caught in the toils of the vast mechanism of history, himself a victim of his past, his desires, his limitations. He wills, indeed he manufactures, the mechanism of history, or tries to deflect the normal course of history in an evil way.
Bin Laden, while living, was the perfect pantomime villain in this theatre of conspiracy. He already embodied the threat against America from outside groups, and his actions were incorporated into anti-government conspiracy theories as people sought to make sense of the senseless horror and brutality of the events of 9/11.
His death will not lay conspiracies to rest, because his death does not solve the problems that those conspiracies do. His death will not resolve the insecurities that divide America, the fears that have driven the paranoid style to such great heights and made it a prevailing feature of US politics. And the circumstances surrounding the death – a highly-secretive government mission that has left no body to be examined – leave it wide open for reinterpretation.
Perhaps that’s a wise move from Obama. If Bin Laden becomes the bad guy, perhaps Obama can finally lay to rest some of the conspiracy theories surrounding his own existence. Or perhaps that would be one conspiracy too far.
Zombie rights
On Friday, shortly after the royal wedding, five people dressed as zombies went for a coffee together in Starbucks. They’d intended to go to a flash mob in Soho Square, but left after only a few people turned up. They were asked to leave Starbucks by police, searched under section 60 powers, and then arrested for potential breach of the peace. My friend Hannah Eiseman-Renyard has written a thorough account of what happened.
A few thoughts for the Metropolitan Police:
Firstly, people dressed up as zombies do not normally pose a threat to the general public. They are not, in fact, the living dead. Although they may shuffle past you moaning about brains, and may even fake eating each other for a bit of a giggle, the chances of them causing harm to real people are not above average. They are more likely to break into Thriller-style dances than they are to break out into a riot.
Secondly, fancy dress parties in general are, surprisingly, not illegal – even when they happen in public spaces. I know it must be tempting sometimes, especially when you see a really bad Harry Potter costume or a genuinely horrid PVC nurse outfit, but you are not supposed to act as the fashion police. Dressing up is not a crime.
Thirdly, zombies may not be fast, but they can generally shuffle under their own power. Police vans are admittedly much quicker, but arrests are not meant to be used as a way of moving peaceful people out of areas where you don’t want them to be. They’re also not meant to be used to keep London pretty and acceptable while the world’s TV cameras are pointed in our direction. Edit: Nor on people filming arrests and then talking to journalists.
Fourthly, while I understand you can keep better tabs on the living dead when you have them under lock and key, zombies have the same rights as your standard flag-waving patriot. No matter what day it is. We did not turn the law off on Friday. We did not become a dictatorship for 24 hours for the sake of a wedding. Arresting people for acting in ways that are not sanctioned by the establishment is generally not considered to be one of the hallmarks of democracy.
Fifthly, although none of the zombies were charged with any offence, the effect of arrests is to stifle dissent and to scare people into behaving themselves – much like the earlier arrests the night before. There was no violence on Friday and no aggression by this group of zombies towards either the police or the public. No potential weapons or intoxicating substances were found in their bags or on their persons. At best their arrests were disproportionate. At worst they were deliberate intimidation as a consequence of doing something that wasn’t on the official script for the day.
Finally, if sitting in a coffee shop while dressed as a zombie is an offence, I am guilty many times over. And I’ll do it again in future. I will fight for our right to look like idiots while drinking caffeinated beverages, because some things are important.
URL manipulation, libel, and Kate Middleton jelly beans
Regular readers here (all 6 of you) will probably already know about Jellybeangate. Yesterday, a URL from the Independent was rewritten to say something rather uncomplimentary about a PR-churned story on their site, revealing that Kate Middleton’s face had been discovered in a jelly bean. The link went viral on Twitter after several fairly well-respected sources assumed it was the work of a disgruntled sub and not a prank. Then the corrections went viral, along with several other versions of the link. This sort of URL behaviour is remarkably common.
According to the Nieman Lab, there are vast numbers of other news organisations whose URLs can be manipulated in this way (Citywire, my employer, is one of them) – and third parties with agendas could easily make it seem at a casual glance as though their URLs are libellous or offensive. But most URLs – if not all – can be manipulated very simply, using parameters. I can add &this=utter-rubbish after almost any link and the link will still resolve, leaving my additions intact. Thus:
- http://www.niemanlab.org/2011/04/how-url-spoofing-can-put-libelous-words-into-news-orgs-mouths/?this=not-as-simple-as-it-suggests
- http://www.malcolmcoles.co.uk/blog/indy-jelly-bean/?this=making-a-very-valid-point-that-should-be-worrying-the-indie-seo-team
- http://techcrunch.com/2011/04/19/libellous-urls-are-hilarious-except-that-one-time-i-nearly-went-to-jail/?URLs=sometimes-libellous-sure-but-only-the-person-who-wrote-them-is-liable-surely
There shouldn’t be any fear of being liable for this sort of manipulation, any more than there is in someone copying a newspaper masthead and pasting their own words underneath. For a statement to be libellous it must have been published, and in this case the individual who wrote, manipulated and then distributed the URL is the publisher. This seems clear for manipulated parameters marked by “?” and I have a hard time believing anyone would find otherwise for parameters within the URL itself.
If I were the Indie’s SEO team right now, I’d be more worried that the doctored URL is able to rank above their original. Might just be a good idea to get some rel=canonical tags on their article pages.