Category: Everything else

Last week, First Draft News ran a workshop at the Guardian on verification and user-generated content. There’s video of the sessions coming to the First Draft News site soon, including a speech I gave – of which the text is below.

Hello everyone, and thanks for joining us today. I’m Mary Hamilton, the Guardian’s executive editor for audience.

Part of my role is to oversee the ways we treat people who participate in our journalism, and the unspoken contracts between journalists, contributors, uploaders and readers.

As I’m sure everyone in this room and watching online understands, this is an area that is going through constant change at the moment, driven by social media and its capacity to allow anyone with a phone and a network connection to act as broadcasters.

The growth of the real-time web, especially through Twitter, has enabled every eye-witness to tell the world what they can see – and every reporter to respond in an attempt to gain exclusive knowledge.

It has also enabled the growth of hoaxing, and the ease in which an image or a video can be divorced from its context has made it trivial for mistakes to thrive and appear truthful.

The Guardian has both a duty and a commitment to report the truth, to treat our journalists with respect regardless of whether they are professional reporters, and to act ethically in handling contributions from readers and user-generated content.

We know that many of our readers want to help us do our jobs well.

During the Paris attacks, when a significant volume of incorrect or inaccurate information was circulating through social media, readers came to us to ask us what was truthful – what was known.

They also came to us to tell us what they knew was false – to assist our writers and live-bloggers by sharing their own detective work.

In a breaking news situation, many people want to know what they can do, and how they can help.

For some, that means sharing unverified images that confirm their own beliefs.

For others, that means turning to us to ask the questions they can’t answer themselves, or offering us their expertise so that we can weave it into something larger and more meaningful.

This is crucial work: we are still the gatekeepers of truth for our readers, and when we say something is real, is confirmed, is verified, that act of journalism remains utterly vital.

In a world in which truth is often slippery, being accurate and authoritative is more important than ever.

But in order to do that work, our newsroom and our news processes have to respond to the changes we see on the internet every day.

We have to be able to receive, investigate and verify not just tweets and Facebook posts, but also chat posts and live streamed video.

We have to understand how to verify posts on services that strip user information from uploads, or that encourage anonymity.

And we need all these things in place before a breaking news situation requires them, if we are going to respond with speed and integrity when a big story breaks.

When it does, the Guardian is among the best in the world at involving and engaging our readers and eyewitnesses in our coverage.

We’re used to using uploaded reports in our live blogs, verifying UGC in real time, and doing the hard graft of sifting through eyewitness reports to find the information that moves a story along.

We have to understand the impact, too, of being the people who possess these skills, and we have to take care of reporters and editors who see traumatic imagery on a regular basis.

In this fast-changing environment, we are seeing a rise in violent images shared broadly, and how we handle, check and verify those has huge impact on both our journalism and our reporters.

It’s important, again, that we get those processes right ahead of time, before news breaks, so that we can support our journalists and treat eyewitnesses ethically.

User-generated content doesn’t just help us out with breaking news.

UGC can help us dig deeply into investigations, unearthing new stories.

When we build crowdsourcing and audience-focussed story generation into our newsgathering processes, we can gain insight, add colour and break stories that wouldn’t be possible without involving our readers.

We’ve seen that with the Counted, where our audience is helping us to build the most complete picture of US police killings – we have reported several that would have gone unrecorded without our audience’s help.

We’ve seen it with the NHS, where our readers’ stories – personal and professional – have helped us flesh out and humanise our coverage.

And we’ve seen it with the Millennials project, where readers physically came to the Guardian to share their thoughts, concerns and needs, to inform our commissioning.

Each of those projects has involved quite different tools and approaches.

We have created live events, curated online communities on our own and other sites, and used our UGC platform GuardianWitness alongside other tools to gather reader stories and encourage them to share knowledge.

Many of the tools we use today did not exist, or existed in very different forms, two years ago.

We have to prepare for a future in which the tools we use change at a dramatic rate, and develop processes that take advantage of new technology while also retaining our core mission: to report broadly, deeply and accurately on the stories that matter most.

So we are happy today to host First Draft News for this verification and UGC workshop, and keen to see their work and hear their views on these issues.

With us today we have Eliza Mackintosh, former Washington Post journalist and now UK partnerships coordinator at Storyful in London who will be talking about verifying breaking news, using examples such as the recent Paris attacks and finding Dylann Roof; Malachy Browne, Europe editor at Reported.ly who traced the manufacture and shipping of bomb components from the European Union to the United Arab Emirates and Eliot Higgins, founder of Bellingcat, who has been working for the last five years verifying and debunking events in Syria, such as Russia’s claim that it didn’t bomb a mosque.

Thank you to all of the speakers for bringing their expertise to the Guardian, and thanks to all of you for attending.

Breaking radio silence on here to shout about the fact that I’m hiring a deputy in New York. Official title is deputy US audience editor, and there’s lots more info – and an application form – here. Basically, if you do interesting things at the intersection of journalism and the internet, and want to do them enthusiastically for the Guardian in America, get in touch.

More frequent blogging to resume shortly, I hope.

If you’d like to get Pocket Lint as a regular-ish email on Fridays you can sign up here.

“Firstly, you must buy a scratchcard only as an impulse, when buying other things. Arriving one day at the checkout, with your hands full of milk, bacon, chilli-coated peanuts, you will glance absent-mindedly at the stand of colourful cards and be immediately shaken with the intense feeling that you are alive and that nobody can stop you from winning everything. Although, that is not to say you feel confident. This is a feeling more wistful and playful in nature than confidence. It stands to reason that what you are feeling is a sense of fatefulness. If you are an atheist, this is the closest you will ever come to detecting providence in your life. Put down your milk for a moment.”

America’s first female astronaut: ‘Tampons were packed with their strings connecting them, like a strip of sausages, so they wouldn’t float away. Engineers asked Ride, “Is 100 the right number?” She would be in space for a week. “That would not be the right number,” she told them. At every turn, her difference was made clear to her. When it was announced Ride had been named to a space flight mission, her shuttle commander, Bob Crippen, who became a lifelong friend and colleague, introduced her as “undoubtedly the prettiest member of the crew.” At another press event, a reporter asked Ride how she would react to a problem on the shuttle: “Do you weep?”’

Mansplaining explained: not just old-fashioned sexism, but also systemic differences between typical male and female communication styles.

America, a review: “What the characters lack in consistency, they make up for in body weight, lingering racism, and inconsistency.”

Everything is wrong with the Lord of the Rings films, and John Dolan would like to tell you about it. (h/t @adambrereton)

“But the syllable is only the first child of the incest of verse (always, that Egyptian thing, it produces twins!). The other child is the LINE. And together, these two, the syllable and the line, they make a poem, they make that thing, the—what shall we call it, the Boss of all, the “Single Intelligence.” And the line comes (I swear it) from the breath, from the breathing of the man who writes, at the moment that he writes, and thus is, it is here that, the daily work, the WORK, gets in, for only he, the man who writes, can declare, at every moment, the line its metric and its ending—where its breathing, shall come to, termination.”

Arthur Miller on what life was like before air conditioning. “The men sweated a lot in those lofts, and I remember one worker who had a peculiar way of dripping. He was a tiny fellow, who disdained scissors, and, at the end of a seam, always bit off the thread instead of cutting it, so that inch-long strands stuck to his lower lip, and by the end of the day he had a multicolored beard. His sweat poured onto those thread ends and dripped down onto the cloth, which he was constantly blotting with a rag.”

There are family trees, and there are trees from hell that are filled with snakes.

The sigils of 90 demons, in case you need them.

Tumblr of the week: Owl Turd, because of this heartbreaking comic, We Go Forward.

Poem of the week: The Mutes, Denise Levertov

Game of the week: Coming Out Simulator 2014

A pick of the most interesting things I read this week. If you’d like to get Pocket Lint as a regular-ish weekly email on Fridays you can sign up here or using the form below. Pocket Lint will be on holiday for a few weeks after this week’s instalment.

Is the Oculus Rift sexist? “[B]iological men were significantly more likely to prioritize motion parallax. Biological women relied more heavily on shape-from-shading. In other words, men are more likely to use the cues that 3D virtual reality systems relied on.”

Facebook doesn’t care about your brand. “You want to achieve reach because you’ve made something good that people want to share. And if you’ve made something good or interesting, then people will be sharing it organically in any case.”

In praise of brevity: “Like passengers in a lifeboat, all the words in a concise text must pull their own weight.”

Clickbait journalism didn’t start with the internet. From 1873: “Our four or five thousand daily and weekly publications have columns of “Nuts to Crack,” “Sunbeams,” “Sparks from the Telegraph,” “Freshest Gleanings,” “Odds and Ends,” “News Sprinklings,” “Flashes of Fun,” “Random Readings,” “Mere Mentions,” “Humor of the Day,” “Quaint Sayings,” “Current Notes,” “Things in General,” “Brevities,” “Witticisms,” “Notes of the Day,” “Jottings,” “All Sorts,” “Editor’s Drawer,” “Sparks,” “Fun and Folly,” “Fact and Fiction”…”

The problem of choice in interactive narratives: The real destination is the creation of meaning, whether that be the reader’s interpretation or reconstructing the author’s intent. The work is not completed by reading the final page but by reading the all of the pages.

How can we preserve Twitch Plays Pokemon?

“Home Depot™ Presents the Police!®” I said, flashing my badge and my gun and a small picture of Ron Paul. “Nobody move unless you want to!” They didn’t.

The definitive ranking of Robin’s 359 exclamations from ‘Batman’

Piipshow, a webcam feed from a Norwegian bird feeder dressed to look like a coffee bar.

This.

Tumblr of the week: Fat birds

Poem of the week: Frank O’Hara, Steps

Free game of the week: Super Hot

Enter your email addresspowered by TinyLetter

 

If you’d like to get Pocket Lint as a regular-ish weekly email you can sign up here or using the form below. I promise not to spam you.

The cult of overwork
“The perplexing thing about the cult of overwork is that, as we’ve known for a while, long hours diminish both productivity and quality. Among industrial workers, overtime raises the rate of mistakes and safety mishaps; likewise, for knowledge workers fatigue and sleep-deprivation make it hard to perform at a high cognitive level.”

No, Jane Austen was not a game theorist
“This is a perfectly valid statement, as long as we ignore the accepted meaning of most of the words it contains.”

Airbnb stories
“If you read a heart-warming story promoted by someone with a vested interest, you’re being sold a bill of goods. It really is as simple as that.”

Very internet woman. Wow.
“Let’s agree that there is no “online” misogyny, just like there is no “date rape”. There is misogyny. There is rape. Where it happened has nothing to do with its impact. And it doesn’t help to quit the internet because it’s not about being on the internet. Violence against women is a cross-platform experience.”

How to make a start-up out of nothing
“It’s easy to forget that most start-ups have nothing to do with technology. These stable businesses do very well without glamorous magazine photoshoots or gambling with investors’ cash, and were paving the way for start-ups way before a start-up was even a thing.”

TL;DR: Choire Sicha
A superb and slightly scary Q&A with the founder of The Awl about the internet, writing and authorship online.

Arcade Review
A new publication of criticism of experimental games. It’s very good. Go get it.

The Journal of Game Criticism
A new non-profit, peer-reviewed, open-access journal of, well, game criticism. It’s also very good. Go look.

Praise the sun
“I, like many others, have spent my life resisting advice, resisting spoilers. “Don’t tell me!” “I can do it myself.” Dark Souls is a game that humbles you to the point where abandoning that train of thought is an absolute necessity. You must embrace help, embrace advice. Dark Souls is designed like that and it does something very unique: it encourages people to actually talk about the game without fear.”

Tumblr of the week: People Behaving Appropriately In Art Museums

Free game of the week: A Mother in Festerwood

Enter your email addresspowered by TinyLetter