Using old-style retweets makes you look like a bit of a dick

Sorry. But yeah, it does. You know the ones I mean: where you actually tweet “RT @someone Stuff they said & maybe a funny link http://t.co/yadda” instead of using the native retweet button.

They didn’t always make you look like a dick. Back before Twitter got madly busy and everyone understood the protocols a bit better, it was actually fairly sensible to use old style. Folks, especially folks who fancied themselves as anchor journalists, preferred to have their own names & pictures next to the words they endorsed or passed on, whatever the source; they wanted to build trust with followers, and identity was part of that. People felt it was worthwhile to tweet separately because a new-style RT might get missed, if some followers had seen it before. (Which, well, what? No. Attention is finite and precious and why would you deliberately try to make me read something I’ve already read? That is wasting my time.)

There are still some situations where it’s legitimate to use old style. You have more control over the tweet – it won’t disappear if the original tweeter deletes it. (But people have started using old style RTs to put hilariously incongruous words in other people’s mouths, so actually you might just have a problem anyway if that happens.)

Arguably, you can make it clear you’re curating a source’s story (but native retweets make you look less like you’re trying to editorialise rather than report, and less like you’re trying to get credit for someone else’s original reporting). You can add a comment or frame your response. But if that comment is “This.” or “haha” or “BREAKING” or something else that serves no purpose other than to justify your old-style retweet then you still look like a bit of a dick, sorry. (Yeah, I’ve done this. I am not perfect. Sometimes I’m a bit of a dick.)

These days, the vast majority of people on Twitter understand retweets. They don’t generally need to see your avatar right next to the tweet to understand you’re passing it on. They don’t need a LOL next to every amusing comment – people can generally work out from the context that you’re passing it on because it’s funny. It looks like you’re trying to get more credit as a discoverer than the originators are getting. It looks like you’re trying to build your own following at the expense of other people’s. And while that’s no crime, and not the end of anyone’s world, and it probably works well if that’s all you care about, it does mean you look like a bit of a dick.

You do, however, look like less of a dick than the folks who wholesale copy a tweet’s content without credit. So you’ve got that going for you. Well done.

10 things I learned from a web traffic spike

Look Robot wordpress stats

Last week, my other half wrote a rather amusing blog post about the Panasonic Toughpad press conference he went to in Munich. He published on Monday afternoon, and by the time he went out on Monday evening the post had had just over 600 views. I texted him to tell him when it passed 800, making it the best single day in his blog’s sporadic, year-long history.

Next day it hit 45,000 views, and broke our web hosting. Over 72 hours it got more than 100,000 views, garnered 120 comments, was syndicated on Gizmodo and brought Grant about 400 more followers on Twitter. Here’s what I learned.

1. Site speed matters

The biggest limit we faced during the real spike was CPU usage. We’re on Evohosting, which uses shared servers and allots a certain amount of usage per account. With about 180-210 concurrent visitors and 60-70 page views a minute, according to Google Analytics real-time stats, the site had slowed to a crawl and was taking about 20 seconds to respond.

WordPress is a great CMS, but it’s resource-heavy. Aside from single-serving static HTML sites, I was running Look Robot, this blog, Zombie LARP, and, when I checked, five other WordPress installations that were either test sites or dormant projects from the past and/or future. Some of them had caching on, some didn’t; Grant’s blog was one of the ones that didn’t.

So I fixed that. Excruciatingly slowly, of course, because everything took at least 20 seconds to load. Deleting five WordPress sites, deactivating about 15 or 20 non-essential plugins, and installing WP Super Cache sped things up to a load time between 7 and 10 seconds – still not ideal, but much better. The number of concurrent visitors on site jumped up to 350-400, at 120-140 page views a minute – no new incoming links, just more people bothering to wait until the site finished loading.

2. Do your site maintenance before the massive traffic spike happens, not during

Should be obvious, really.

3. Things go viral in lots of places at once

Grant’s post started out on Twitter, but spread pretty quickly to Facebook off the back of people’s tweets. From there it went to Hacker News (where it didn’t do well), then Metafilter (where it did), then Reddit, then Fark, at the same time as sprouting lots of smaller referrers, mostly tech aggregators and forums. The big spike of traffic hit when it was doing well from Metafilter, Fark and Reddit simultaneously. Interestingly, the Fark spike seemed to have the longest half-life, with Metafilter traffic dropping off more quickly and Reddit more quickly still.

4. It’s easy to focus on activity you can see, and miss activity you can’t

Initially we were watching Twitter pretty closely, because we could see Grant’s tweet going viral. Being able to leave a tab open with a live search for a link meant we could watch the spread from person to person. Tweeters with large follower counts tended to be more likely to repost the link rather than retweeting, and often did so without attribution, making it hard to work out how and where they’d come across it. But it was possible to track back individual tweets based on the referrer string, thanks to the t.co URL wrapper. From some quick and dirty maths, it looks to me like the more followers you have, the smaller the click-through rate on your tweets – but the greater the likelihood of retweets, for obvious reasons.

Around midday, Facebook overtook Twitter as a direct referrer. We’d not been looking at Facebook at all. Compared to Twitter and Reddit, Facebook is a bit of a black box when it comes to analytics. Tonnes of traffic is coming, but who from? I still haven’t been able to find out.

5. The more popular an article is, the higher the bounce rate

This doesn’t *always* hold true. However, I can’t personally think of a time when I’ve witnessed it being falsified. Reddit in particular is also a very high bounce referrer, due to its nature, and news as a category tends to see very high bounce especially from article pages, but it does seem to hold true that the more popular something is the more likely people are to leave without reading further. Look, Robot’s bounce rate went from about 58% across the site to 94% overall in 24 hours.

My feeling is that this is down to the ways people come across links. Directed searching for information is one way: that’s fairly high-bounce, because a reader hits your site and either finds what they’re looking for or doesn’t. Second clicks are tricky to get. Then there’s social traffic, where a click tends to come in the form of a diversion from an existing path: people are reading Twitter, or Facebook, or Metafilter, they click to see what people are talking about, then they go straight back to what they were doing. Getting people to break that path and browse your site instead – distracting them, in effect – is a very, very difficult thing to do.

Look Robot referrals

The head of a rather long tail.

6. Fark leaves a shadow 

Fark’s an odd one – not a site that features frequently in roundups of traffic drivers, but it can still be a big referrer to unusual, funny or plain daft content. It works like a sort of edited Reddit – registered users submit links, and editors decide what goes on the front page. Paying subscribers to the site can see everything that’s submitted, not just the edited front. I realised before it happened that Grant was about to get a link from their Geek front, when the referrer total.fark.com/greenlit started to show up in incoming traffic – that URL, behind a paywall, is the place where links that have been OKed are queued to go on the fronts.

7. The front page of Digg is a sparsely populated place these days

I know that Grant’s post sat on the front page of Digg for at least eight hours. In total, it got just over 1,000 referrals. By contrast, the post didn’t make it to the front page of Reddit, but racked up more than 20,000 hits mostly from r/technology.

8. Forums are everywhere

I am always astonished at the vast plethora of niche-interest forums on the internet, and the amount of traffic they get. Much like email, they’re not particularly sexy – no one is going to write excitable screeds about how forums are the next Twitter or how exciting phpBB technology is – but millions of people use them every day. They’re not often classified as ‘social’ referrers by analytics tools, despite their nature, because identifying what’s a forum and what’s not is a pretty tricky task. But they’re everywhere, and while most only have a few users, in aggregate they work to drive a surprising amount of traffic.

Grant’s post got picked up on forums on Bad Science, RPG.net, Something Awful, the Motley Fool, a Habbo forum, Quarter to Three, XKCD and a double handful of more obscure and fascinating places. As with most long tail phenomena, each one individually isn’t a huge referrer, but the collection gets to be surprisingly big.

9. Timing is everything…

It’s hard to say what would have happened if that piece had gone up this week instead, but I don’t think it would have had the traffic it has. Grant’s post hit a chord – the ludicrous nature of tech events – and tapped into post-CES ennui and the utter daftness that was the Qualcomm keynote this year.

10. …but anything can go viral

Last year I was on a games journalism panel at the Guardian, and I suggested that it was a good idea for aspiring journalists to write on their own sites as though they were already writing for the people they wanted to be their audience. I said something along the lines of: you never know who’s going to pick it up. You never know how far something you put online is going to travel. You never know: one thing you write might take off and put you under the noses of the people you want to give you a job. It’s terrifying, because anything you write could explode – and it’s hugely exciting, too.

Picturesque selves

This is brilliant. Identity online is multifaceted, and the explosion in popularity of Instagram and Pinterest is in part about performing single facets of identity, mythologising ourselves through imagery.

Instead of thinking of social media as a clear window into the selves and lives of its users, perhaps we should view the Web as being more like a painting.

This is why Facebook’s desire to own our identities online is fundamentally flawed; our Facebook identities are not who we are, and they are too large and cumbersome and singular to represent us all the time. Google+ has the same problem, of course. Frictionless sharing introduces an uncomfortable authenticity – Facebook identities thus far have been carefully and deliberately constructed, and allowing automatically shared content to accrete into an identity is a different process, a more honest and haphazard one, that for many may spoil their work.

As we do offline, our self-presentations online are always creative, playful, and thoroughly mediated by the logic of social-media documentation.

Pinterest and Instagram are built around these playful, creative impulses to invent ourselves. Twitter remains abstract enough to encourage it too, though in textual rather than visual form. Facebook and Google identities are such large constructions that they become restrictive – you can’t experiment in the way you can with other platforms because of the weight of associations and of history – and they’re not constructed in a vacuum. They rely on interactions with friends for legitimacy – but you can’t jointly create one the way you can a Tumblr or a Pinterest board. Group identities don’t quite work. Individual identities are too heavy to play with properly. But Pinterest and Instagram and Tumblr are online scrapbooks – visual, associative, picturesque – and are just the right formats for liminal experimentation with self-construction. Creative and lightweight.

Aggregation – a substitute newspaper?

I’m not sure that I completely agree with Scott Fulton’s conclusion in this piece, but it’s well worth a read nonetheless. On the difference between Google and journalism:

News has always been a loss leader; it’s the thing publishers provide to make the real products they used to sell timely, interesting and competitive. It’s literally the sugar coating.

The Internet commandeered the services that newspapers once championed and delivered each of these services on an a la carte basis. In an earlier era, it made sense to bundle these services in a single package – the newspaper – and deliver it fully assembled. Today, the Web itself is the package, and each of the services now competes against other similar services in separate, often healthy, markets. And this is as it should be – this is not somehow wrong.

But it leaves local news providers with only the container, abandoning them with the task of making a living from the news alone. What’s worse, it thrusts them into a market with tens of thousands of journalistic ventures of all sizes, all of which have charged themselves with the same objective: building a business model around solely the news. What gives all these services a bit of a reprieve, albeit temporary, are Google News and the other aggregators in its category. Aggregators serve not only as front pages for a multitude of news services, but by bundling them together and giving them the illusion of plurality, aggregators substitute for the missing thunder of the press. The end product is not exactly editorial, but if you squint, there are moments when it reminds you of something that might have been editorial once.

Journalism online has a distribution problem. Unlike a road network, Google isn’t a neutral network through which news can be pushed; unlike hauliers and newsagents, social networks don’t exist primarily to distribute our news but have their own purposes and uses that sometimes conflict with ours. As the Mail Online prepares to turn its first profit, there is a wider argument playing out about whether journalism can or should be valued by how well and widely it is distributed – for display ad driven models this is particularly acute. And Google, as a display ad provider, potentially profits twice by being the primary distributor as well.

For news, Google is a distributor trying to make the product fit its network. (In other areas too – Schema.org microdata, authorship markup and other elements of Google+ spring to mind.) Though it’s certainly useful – I would argue vital to most news sites – it’s not the only way to distribute news, and for some sites it’s not the dominant method. Google is competing with email, social networks or even direct traffic to be the primary access method. Of course, then, it wants access to news and other content in a form that’s easy for it to parse and display. No wonder it fell out with Twitter and Facebook.

To my mind, this is the quote that gets to the heart of it:

Like it or not, aggregation is an interim solution. It’s a kludge that satisfies an immediate need in the short-term; it’s a substitute newspaper.

Google News is the best of what we’ve got now. It’s not necessarily what’s best for news. It’s certainly not where we’re going to end up.

Twitter for Newsrooms: first impressions

Tonight Twitter released a set of guides for newsrooms. There’s going to be a lot said about them in the next few days I’m sure, and it’ll be a while before we see what impact (if any) they have on the news ecosystem. But here are a few first impressions, in no particular order.

  • Newsrooms, not (just) journalists. This isn’t just about newsgathering, it’s about process and presentation too.
  • This is basic stuff – tools, examples, glossary, links, support. That’s as it should be, I reckon. The newsroom denizens who understand Twitter well enough to build their own techniques are still vastly in the minority. This is about bridging a gap.
  • The examples of engagement are very well-chosen indeed, and it’s genuinely heartening to see a range of reporters from the internationally renowned to the metro beat, with follower count ranges to match. I hope they keep this list up to date.
  • There’s that word “branding” again, providing more fuel for the ongoing branding debates. This is good basic advice about making yourself recognisable and accessible on Twitter, but I suspect a fair few journalists will bristle at the problematic word.
  • The focus when it comes to reporting is on the @acarvin style of curation and publication, not on live reporting or on breaking your own news. There’s a small section on mobile reporting, but the bulk of the reporting guide is around tapping into pre-existing communities, building on top of citizen journalism work, and finding sources. That looks a little like a missed opportunity to tout the real power of Twitter as a direct conduit for breaking news.
  • I’m glad Twitter is making more of its advanced search tools. They’re immensely useful for journalists, but unless you already know about them they’re next to impossible to use. Including them here, prominently, is smart. And it’s wise to explain there’s a difference between Top and All tweets, even if it’s still not clear what “most relevant” means in this context.
  • Twitter is protecting/building its brand. Some of these guidelines are about making sure the platform gets credit for quotes and information shared there. Others offer ways to embed Twitter functionality on news sites. It reminds me of Facebook’s Open Graph plugins, in a nascent and very specific way – proliferating its own platform while performing useful functions. Aiming to become needed, where it isn’t already.

How do you make local news on Twitter engaging?

Like this:

Web poll (modern!) what gets your goat on Norfolk's roads? Vote here. It's like AV, but more fun - http://bit.ly/ltuXcW
@EveningNews
Norwich Evening News
Options include 'suicidal pheasants' and 'caravans'. Am glad to see my driving didn't make the final cut.
@EveningNews
Norwich Evening News
We already have two votes for an option that isn't on the poll: cyclists. Cycling pheasants have picked up 458 votes.
@EveningNews
Norwich Evening News
@ @ Note I didn't mention you in case the cycling mafia came en masse to mow you down. I am thoughtful.
@EveningNews
Norwich Evening News
RT @: @ Cars? They're always forming queues that I have to cycle past.
@EveningNews
Norwich Evening News
Car haters: 1 Cyclist haters: 3 FIGHT! (best not to think of this in paper, scissors, stone fashion, or the cars will win hands down)
@EveningNews
Norwich Evening News

This is @eveningnews, and it’s not your average local news feed. Delivering a wry, funny take on the day’s news in Norwich, it’s not scared to poke fun at the newspaper – and the results are a far cry from the sterile RSS-based robots that many news brands use on Twitter.

@eveningnews has, at last count, nearly 3,700 followers – not bad for a local newspaper with a print circulation of 18,923 – and it’s talkative. It doesn’t follow many folks back but it does engage with the followers it has, talking back, retweeting and chatting about what’s going on.

The voice behind the tweeting is Stacia Briggs, current UK Columnist of the Year and feature writer for the Evening News, who also tweets as @womaninblack. She says that far from seeing Twitter as something difficult, it’s child’s play by comparison to traditional writing: ”Give me 140 characters in comparison to 1,500 words any day.”

"Production of the Aunt Bessie’s frozen potato products range will not resume until a full assessment has been made."
@EveningNews
Norwich Evening News

The feed was originally started by a colleague but quickly taken over by Stacia, and these days it’s very rare that anyone else uses it. Stacia admits being “extremely territorial”, and says that when the account was started she “was one of the only people on my newspaper who had some experience of Twitter – it’s not much of a basis for my unstinting belief that I could do the best job with the account, but it was a start”.

Like many folks looking at local news feeds, Stacia says she struggled to find something engaging out there – a feed that actually made people want to click on links, rather than simply treating the medium as a one-way publishing stream. So she set out to create something different.

“I consider the account to be fairly informal, hopefully amusing and friendly – sometimes a bit edgy and slightly naughty,” she says. “I don’t want bland RSS feeds or po-faced updates that command me to read a story. What I wanted to do is make the feed like a conversation: I’ll tweet a link, and then I’ll sometimes make an observation. Sometimes, the observations are quite oblique – I like oblique observations.”

Can there BE any more joy today? http://t.co/e3rXEUQ
@EveningNews
Norwich Evening News

“One of the things I feel most strongly about is maintaining a voice, one which people recognise and can relate to,” Stacia says.

“Clearly, there are stories which are serious and which must be treated as such. I don’t post a story about an inquest and then make a joke – if I did, I’d imagine it would be my career that required an inquest after a very sudden death.”

But between the straight tweets that link the reader to important stories and keep people up to date, @eveningnews is genuinely funny and wonderfully compelling. It’s a fantastic mix that makes readers feel they have a genuine relationship and a line into the paper – as is shown by the number of stories that come straight to Stacia via @eveningnews – and it has a nice side line in gently mocking the newspaper’s occasional online mishaps in a way that brings readers into an inside joke.

It's a happy return for my favourite picture of all time - http://bit.ly/lmqQwQ
@EveningNews
Norwich Evening News

Looking at @edp24, a feed run out of the same office by the same team, the difference is clear – the Eastern Daily Press feed is entirely automated, even automatically passing on reporters’ tweets. The Eastern Daily Press has more than three times the circulation of the Evening News in print, and the circulation area is much wider – but it has just a few more followers than @eveningnews.

And despite regular attempts at engagement from the people who follow it, it simply doesn’t talk back. In this, it’s like most other news brands, both local and national – but it’s clear from what @eveningnews has achieved that much more is possible when someone committed and talented takes ownership and makes the news their own.

I hadn't read the comments on that gunman negotiation story. I have now. And I think you should, too - http://bit.ly/kdUHo9
@EveningNews
Norwich Evening News

Readers tell @eveningnews their stories freely, they pass on ideas, they offer case studies and point out errors – but the open dialogue has drawbacks. Stacia doesn’t stop when she goes on holiday or is unwell – keeping @eveningnews going is a constant task that transcends normal work hours and boundaries. But it’s worth it, she says.

“There’s a mine of untapped data and information on Twitter which hugely benefits newspapers – and I’m trying to access it. I’ve got some great, breaking stories from Twitter, and within minutes we’ve had them on our websites.

“A huge city centre fire was first reported on Twitter and we then followed it with live tweeting, pictures from our photographers and Twitter followers and regularly updated reports. It directed people to our website and was a great example of how Twitter can break the news and we can expand on it.

“I’ve been given feature ideas, news stories, pictures, video, song clips – it’s been like a news sweet shop.”

This reminds me of the Blackadder episode with the turnip shaped like a thingy - http://bit.ly/lcvZa7
@EveningNews
Norwich Evening News

And the best advice for people tweeting as news brands?

“Don’t churn out corporate slurry. Talk like a human being. Engage with people. Reply to people who talk to you. Look for the unusual in a story and highlight it. Encourage your reporters to find lots of stories about UFOs, big cats, sharks or local eccentrics – they’re Twitter gold.”

A vicar on a spacehopper. Brilliant http://bit.ly/iW7tq6
@EveningNews
Norwich Evening News

Full disclosure: I worked for the Evening News from 2008 to 2010, and I am a total Stacia fangirl. Stacia’s job at the Evening News is currently at risk due to Archant Norfolk’s editorial review.

Directing the shambling hordes

Zombies at the doorI’m running my first social media campaign, and so far, it’s working.

Let me explain. I’m one of the two head organisers of a live-action simulation game called Zombie LARP (we wish we’d picked a better name sometimes, but it works) in which a whole bunch of people run around in the dark pretending to be zombies and taking it in turns to shoot the zombies with NERF guns. Think Left 4 Dead in real life.

It started out as a daft idea at university. We ran the first one on a wing and a prayer. It went so well – so blisteringly, terrifyingly, incredibly well – that we’ve been running one every six months since then. We got players initially by running something no one else was doing; then, later on, we started getting them by wor of mouth.

Last autumn 57 people turned up from my home town to a game designed for about 30. Many of them were regular players but many of them were new, buzzed because they’d been told about it by their friends.

We’ve grown up a little now, and we want to take it professional, and that means moving out of university buildings and a student mindset and tapping into the wider community around live gaming, NERF/Airsoft play, and zombies.

Which means an entrepreneurial mindset, learning web design, and running a social marketing campaign that opens us up to a wider market while maintaining our relationship with the core group who got us where we are now – our regular and most loyal players, the people who make our game possible.

In late September our website went live. In November we ran our most recent event, with bookings online. It sold out. Shortly after the event – while everyone was watching for photos – we made the move from a dying and mostly inactive Facebook group to a page, which had 50 fans within 24 hours. Globally, that’s not many, but in our niche it’s fantastic. Every one of those fans is a player, or a potential player. We are reaching the people we need to reach.

And more. In November our website had more than 80,000 hits.

Our fan page is slowly filtering through to friends of friends, people who are interested in the concept, people in that slightly wider niche who might come to the next game.

We ran a short-notice one-off event that wouldn’t have been possible without the forum and Facebook page as communication tools, and we backed that up with video.

We’re starting to get attention from German groups on Twitter purely by having Youtube and Facebook accounts feeding there. And a group of people are running a spin-off game in Kansas, suddenly. We’re international.

There’s a lot more work to do. We have video processing problems to iron out, insurance to negotiate, banks to deal with, applications to fill in, alternate reality games to create and venues to find.

But the next event will be bigger, better, more widely anticipated and more fun because of the community we’re building around the game. And, if we’re lucky and we work hard and smart, it’ll be in either an abandoned shopping mall or a fort.

I think that’s a success. What do you think?

Short is sexy

16/06/2009 - Magnetic poetry wall at the Cambridge Arts FestivalI’m a fairly recent Twitter convert, and at the moment there are two main reasons I’m sticking with it. First, it’s short, and second, it’s art.

I’ve failed to enjoy Facebook or work well with it for several years, preferring to do my moaning on my blog and my events management by email. Yes, I know, I should do better. That’s why I joined Twitter.

The interface is easy, keeping up with people you find intriguing or blogs you want to keep tabs on is suddenly very simple, and you can engage as much or as little as you fancy.

All of which is lovely, but it’s not why I like it so much – it’s not why it works. The best and most innovative thing Twitter has done is forced us to condense communication into short bursts – to crystallise. To be brief.

Twitter’s 140-character limit forces poetry from mundanity. It’s possible to build a tweet around a single thought, a concept, without over-egging it or forcing it. It rewards neatness. Even “pointless babble” becomes a crystal of meaning, complete in itself.

And people are using the microblogging format for all sorts of textual art, from condensing words down to fit within the strict limits to haiku to artistic political satire, such as William Shatner’s Tonight Show recital of Sarah Palin’s Twitter feed. The medium even spawned the world’s first interactive poetry competition.

Mashable laid out the reasons for loving the character limit very neatly and persuasively, but didn’t mention the possibility of poetry.

Twitter is forcing us to distill our words, and words distilled can make art.

Pointless babble

A study (warning, PDF) was published recently by Pear Analytics looking at Twitter usage, which found that more than 40% of all tweets are “pointless babble”. It’s a startling result – I for one was expecting a much higher percentage of spam and links posts – but I’m fascinated by the idea that a type of communication making up such a large proportion of a medium is defined as “pointless”.

The study authors defined six groups – news, spam, self-promotion, conversational, pass-along value and pointless babble – and babble is the only one that carries a value judgement. “Pointless babble” is a biased description, and I’m not sure why the authors of a statistical study decided to pass judgement on their data – or whether they even realised that’s what they were doing.

The implication is that we shouldn’t be babbling, we should be doing something else instead. No one wants to know whether you’re eating a sandwich or on a train – this is babbling, minutiae, and therefore without purpose – pointless.

For many Twitter users, someone else’s conversational tweets are often uninteresting unless they are directed at you, whereas your friend tweeting that their bus is stuck in traffic might be very relevant if they’ve arranged to meet you in half an hour. Sometimes status updates are far from pointless – “out of hospital, all’s well” is a long way from a pointless post even if it’s not directed at anyone in particular.

And I suspect, but can’t prove except with this very study, a lot of people use Twitter like Facebook status updates, following people rather than friending them and using the site as an easily-accessible Facebook lite. The description of that usage as “pointless” seems more than a little harsh – particularly when you’ve just found that 40.55% of the site is examples of that type of usage.

Many of these utterances are the sort of speech that human beings use to remind each other, and themselves, that they are still alive. It’s a way of keeping in touch without saying anything, akin to talking about the weather (if you’re English, of course). Rather than calling it pointless, wouldn’t it have made more sense to ask why this use is so common, and whether it’s a feature of Twitter rather than a bug?

There are a couple of other question marks for me about this study – why did the authors chose not to sample tweets on Saturday or Sunday? Why didn’t they sample between 5pm and 11am CST – that’s 11pm-5pm GMT, neatly missing the daytime usage of a lot of non-American folks? Did they include non-English language tweets?

But those are methodology quibbles, when my main problem with the study is the way it demeans a form of communication as “pointless” without asking whether or not it has a point. I don’t know if it does, but I’d retweet any study that had a go at finding out.